CREATIVE DOCUMENTARY
PHOTOGRAPHY
This course aims to introduce students to documentary photography. Students will become familiar with international documentary photography, both historical and contemporary. The course specializes in personal documentary projects, with the goal of practical application of theoretical knowledge. Students will gain hands-on experience by creating a documentary photography series and presenting their images on the web. We will use Flickr to present the work in progress and will showcase the development of the individual projects at www.aimcbangladesh.org website
DURATION
10 WEEKS
60 HOURS
TUITION FEES
20000 BDT
Apply or Enroll Process
To apply or register for the creative certificate courses at the Asian Institute of Media and Communication Bangladesh (AIMC), follow these steps:
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Visit the Official Website Registration Page: www.aimcbangladesh.org/registration
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Check the AIMC Bangladesh Code of Conduct, Privacy Policy and Application Form,
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Fill up the Application Form
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Select the Course and Fees
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Click Register Now
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Pay the Registration Fees with BKash or Bank Transfer
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Send the BKash Transition ID or Bank Transfer details to AIMC Helpline Number +88 01907 800 811 (WhatsApp)
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Write Your Name, Contact Number, Email, Course Name, Money Transfer ID and Date in the SMS or WhatsApp
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Wait For the Confirmation Email and SMS from AIMC Helpline number +88 01907 800 811
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Apply for Scholarship if You think You are eligable fir it.o
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You will be asked for a Phone or online interview for the final selection process and scholarship (if applicable).
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Contact AIMC:
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Email or call +88 01907 800 811 AIMC helpline numbre to inquire about available courses, registration details, and requirements.
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Find out if there are any specific prerequisites for the course you are interested in.
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Submit Application:
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Fill out an online or downloadable application form, providing personal details, course preferences, and any supporting documents like portfolios or previous work if required.
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Payment:
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Attend an Orientation (if applicable):
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AIMC may offer orientation sessions for new students, which can help clarify expectations and introduce instructors.
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CERTIFICATE COURSE IN DOCUMENTARY PHOTOGRAPHY
Course Description
This course aims to introduce students to documentary photography. Students will become familiar with international documentary photography, both historical and contemporary. The course specializes in personal documentary projects, with the goal of practical application of theoretical knowledge. Students will gain hands-on experience by creating a documentary photography series and presenting their images on the web. We will use Flickr to present the work in progress and will showcase the development of the individual projects at www.aimcbangladesh.org website
Those who complete the course will have significantly improved their understanding of photography as both a means of documenting events and as a form of fine art. By the end of the course, students will have improved their practical skills to the point of being able to pursue more advanced work in documentary photography covering a wider range of subjects.
Student Learning Outcomes
· Students will gain a full understanding of what documentary photography represents
· Students will gain a historical perspective on the development of documentary photography
· Students will explore the connection between documentary and fine art photography
· Students will have a good understanding of the various platforms that can be used to promote documentary photography
· Students will have a good base in the fundamentals of telling a story through documentary photography
· Students will learn to combine photography and writing to reinforce their documentary project and communication skills
Students will learn and practice the steps involved in defining, preparing, and presenting a documentary photography project through hands-on experience
Class Topics:
1. Introduction to Documentary Photography
2. Historical Roots of Documentary Photography
3. Influential Documentary Photographers; Styles of Documentary
4. Photo Essays
5. Street Photography; Urban Landscape; Animated Landscape
6. Documentary Photography; an Iterative Approach
7. Language of Photography; Ideology
8. Re the Pain of Others; How We See
9. Documentary Project Portfolio
10. Critiquing / Discussion - Documentary Project
11. Ethics – Censorship & Power of the Image
12. Subjective Documentary Photography
13. Different ways to document
14. Unpredictable: Documentary ideas
15. Editing & Curation
16. Writing for Documentary Photography
17. Final Documentary Project Selection & Submission
18. Final online exhibition & Final exam
Recommended Materials
• A real camera (that has Manual functions), NO MOBILE PHONES with a camera, NO COM-PACT CAMERAS without Manual functions for this course.
• A small flash drive to store and transfer images
• Access to and use of a computer and internet outside of class
• Manual for your camera (either printed or electronic format)
• Journal for ideas, thoughts, gallery notes , etc.
Teaching methodology
Lectures, Readings, Discussions, Presentations, Exercises, and Workshop style instruction followed by fieldwork. The course is highly interactive with weekly assignments and ongoing project work. Assignments and classroom critiques will supplement the technical and theoretical instruction of the course. Through this course, the students will get the opportunity to develop their photographic techniques and critical thinking while getting continuous feedback from their instructor and classmates.
Each student is expected to attend all class sessions and participate in discussions and any group activities. Some material will only be available in class so it will be difficult to make up the material you miss when absent. Additional support is offered to students through prearranged meetings with the instructor. More than 2 absences during the course will negatively influence your final grade.
Late assignments are NOT accepted and will be just graded with a reasonable explanation such as illness or anything similar.
Participation Grade
Your participation grade is evaluated based on your participation in the discussion and submission of assignments.
Participation:
Playing an active role in discussions, exercises and critiques is essential to success in this class. The majority of online assignments are photo and reading/writing/research projects that occur under the guidance of the instructor and in tandem with your classmates.
Please practice civility (netiquette) when contributing to course discussions. Honor your classmates’ opinions and offer your own critique respectfully.
Preparedness:
It is your responsibility to refer to the syllabus to know what assignments and readings are due. It is your responsibility to obtain the reading and proper art materials for the class. It is expected that you will submit the completed projects required for each discussion. Unpreparedness and nonparticipation will lower your assignment/participation grades.
Attendance Policy
Students are expected to participate each week and submit required assignments. A student who misses three consecutive weeks without contacting the instructor will be automatically dropped from the class with an AF grade. Attendance in Blackboard (Bb) is defined as participating, doing, and completing assigned coursework.
INSTRUCTOR’S DISCRETION TO MODIFY THE SYLLABUS
The instructor has the authority to modify the syllabus based on (her/his) determination that such changes would better meet the learning objectives of the course. It is the responsibility of the student to maintain awareness of those modifications and note them as necessary
Hotline: +88 01907 800 811, +88 01907 800 822
Email: edu.info.aimc@gmail.com
Website: www.aimcbangladesh.org
Course Details: www.aimcbangladesh.org/courses
Scholarship Details: www.aimcbangladesh.org/scholarships
For registration: www.aimcbangladesh.org/registration
RAZIBUL HOSSAIN
RAZIBUL HOSSAIN
SUMMARY OF CREDENTIALS:
• 25 years’ experience in Media, Communication and Audio-Visual Industry.
• Pioneer to introducing Digital Technology as a medium of Filmmaking in Bangladesh.
• Directed, Produced and Cinematography of 5 International Acclaimed Films.
• Participated 12 International Film Festivals around the world and won awards.
• Expertise as Communication Consultant (EU, World Bank, UNDP, BBS, BPC, BTB, Concern Bangladesh etc.)
• Successful track records of accomplishment as Public Information Champaign Consultant for Bangladesh Bureau of Statistics.
• Expertise in making documentaries on development issues like CBDRR, Agriculture, River, Fishermen’s Life etc.
• Expertise as Education and Academic Consultant in Universities and Institutes.
• 15+ Years of Teaching Experience in Universities, Institutes and Training Centers.
• Participated international faculty development trainings on Teaching Methodologies (Active Learning, Case Study, Writing Course Modules, Student Advising, Community Radio Producing etc.).
• Successful track records of accomplishment on Continuing Educations, Co-curricular activities in theoretical base work.
• Collaboration experiences in external vendors; international cultural wings, NGO’s, foreign universities etc.
• Familiar with all kinds of media equipment’s both hardware (Mac or Windows) and software (adobe creative suite, Final cut studio etc.)
• Excellent communication skill to work in all types of environments with people of various nationalities.
SHORT BIOGRAPHY:
Razibul Hossain is an Independent Filmmaker, Cinematographer, Producer, Editor and an Educator from Bangladesh. He made three fictional feature films BALUGHORI (The Sand Clock - 2006), UNADITTYA (Less than Sun God - 2008), and HRIDOYER RONGDHONU (Life in Rainbow - 2017); one feature documentary MRITTU PAREY BARI (Life in the Shores of Death - 2012) and a short film Me and The Nature - 2013.
Razibul is the Founder and Chairman of Asian Institute of Media and Communication – Bangladesh (AIMC). In his professional career, he worked in different Universities, TV stations, Advertisement agency and NGO's.
FILMOGRAPHY:
• BALUGHORI (The Sand Clock - 2006): International Premier at Second South Asian Film Festival in New Delhi, India, 2007
• UNADITTYA (Less than Sun God - 2008): World Premiere at Third South Asian Film Festival in Goa, India, 2008; Official Selection of 8th Third Eye Asian Film Festival in Mumbai, India, 2009; Human Rights Film Festival 2008, Dhaka
• MRITTU PAREY BARI (Life in the Shores of Death - 2012): premiered in 12th Dhaka International Film Festival 2012, Dhaka; Official Selection of South Asian Film Festival Canada 2012
• Me and The Nature (2013): World Premiere at 12th International Short and Independent Film Festival, Dhaka 2013
• HRIDOYER RONGDHONU (Life in Rainbow):
o Official Selection 12th Ethiopian International Film Festival, Ethiopia.
o Official Selection Dhaka International Film Festival, Bangladesh
o Official Selection Film Bazar, View Corner, Goa, India
o Official Selection and Best Cinematography Award Global Taj International Film Festival, India
o Official Selection, Nepal Cultural International Film Festival, Toronto, Canada