CREATIVE DOCUMENTARY FILMMAKING:
INSPIRE YOUR AUDIENCE
Understand the essence of a creative documentary through strong qualitative research. This course provides a comprehensive overview of the art of creating compelling and impactful documentary films. Students will learn about storytelling techniques, cinematography, sound design, and the overall documentary production process. The course aims to nurture creative and critical thinking in documentary filmmaking and equips students with the practical skills and knowledge necessary to excel in this dynamic field.
DURATION
10 WEEKS
60 HOURS
TUITION FEES
20,000 BDT
Apply or Enroll Process
To apply or register for the creative certificate courses at the Asian Institute of Media and Communication Bangladesh (AIMC), follow these steps:
-
Visit the Official Website Registration Page: www.aimcbangladesh.org/registration
-
Check the AIMC Bangladesh Code of Conduct, Privacy Policy and Application Form,
-
Fill up the Application Form
-
Select the Course and Fees
-
Click Register Now
-
Pay the Registration Fees with BKash or Bank Transfer
-
Send the BKash Transition ID or Bank Transfer details to AIMC Helpline Number +88 01907 800 811 (WhatsApp)
-
Write Your Name, Contact Number, Email, Course Name, Money Transfer ID and Date in the SMS or WhatsApp
-
Wait For the Confirmation Email and SMS from AIMC Helpline number +88 01907 800 811
-
Apply for Scholarship if You think You are eligable fir it.o
-
You will be asked for a Phone or online interview for the final selection process and scholarship (if applicable).
-
-
Contact AIMC:
-
Email or call +88 01907 800 811 AIMC helpline numbre to inquire about available courses, registration details, and requirements.
-
Find out if there are any specific prerequisites for the course you are interested in.
-
-
Submit Application:
-
Fill out an online or downloadable application form, providing personal details, course preferences, and any supporting documents like portfolios or previous work if required.
-
-
Payment:
-
Some courses may require a registration or tuition fee. Instructions for payment are usually available on the website or provided through email.
-
-
Attend an Orientation (if applicable):
-
AIMC may offer orientation sessions for new students, which can help clarify expectations and introduce instructors.
-
COURSE MODULE
Certificate Course on Creative Documentary:
Inspire Your Audience
Course Description:
This course provides a comprehensive introduction to the art and technique of creative documentary filmmaking. Students will explore the foundational elements of film style, such as mise-en-scene, cinematography, editing, and sound, while developing technical skills in camera operation and editing. Through hands-on projects, students will learn to craft compelling documentary narratives that engage and inspire audiences. The course also emphasizes the importance of pre-production planning, scripting, and story organization, with the goal of producing a professional-quality, low-budget documentary film.
COURSE MODULE:
Module 1: Introduction to Documentary Filmmaking
Overview of the documentary genre
History and evolution of documentaries
Key differences between documentary and fictional filmmaking
Reference Materials:
Book: "Documentary Storytelling: Creative Nonfiction on Screen" by Sheila Curran Bernard, 4th Edition, Focal Press, 2015. Link
Article: "The Power of Documentary Film" by Patricia Aufderheide, Cinema Journal, 2010.
Video: "Introduction to Documentary Filmmaking" on YouTube Link
Training Kit: "Documentary Filmmaking Starter Kit" available on LinkedIn Learning.
Module 2: Documentary Styles and Approaches
Observational, participatory, expository, reflexive, and performative modes
Case studies of influential documentary filmmakers
Reference Materials:
Book: "Directing the Documentary" by Michael Rabiger, 6th Edition, Focal Press, 2014. Link
Article: "Modes of Documentary Film" by Bill Nichols, Representing Reality, 1991.
Video: "Different Styles of Documentary Filmmaking" on Vimeo Link
Training Kit: "Documentary Filmmaker’s Toolkit: Approaches & Techniques" available on MasterClass.
Module 3: Research and Pre-Production
Topic selection and research techniques
Ethical considerations in documentary filmmaking
Crafting a compelling story: from concept to outline
Reference Materials:
Book: "Writing, Directing, and Producing Documentary Films and Videos" by Alan Rosenthal and John Corner, 4th Edition, Southern Illinois University Press, 2007. Link
Article: "Ethics in Documentary Filmmaking" by Larry Daressa, Journal of Media Ethics, 2012.
Video: "Research and Pre-Production Planning for Documentaries" on LinkedIn Learning Link
Training Kit: "Pre-Production Essentials for Documentary Filmmaking" available on Lynda.com.
Module 4: Scriptwriting for Documentaries
Writing treatments and proposals
Structuring a documentary script
Interview techniques and question crafting
Reference Materials:
Book: "The Documentary Film Makers Handbook" by Genevieve Jolliffe and Andrew Zinnes, Continuum, 2006. Link
Article: "Crafting Documentary Narratives" by Alan Rosenthal, Journal of Screenwriting, 2013.
Video: "Scriptwriting for Documentary Films" on YouTube Link
Training Kit: "Documentary Scriptwriting Guide" available on No Film School.
Module 5: Visual Storytelling and Cinematography
Principles of visual storytelling in documentaries
Camera techniques and shot composition
Using natural light and camera settings for documentary shoots
Reference Materials:
Book: "The Visual Story: Creating the Visual Structure of Film, TV, and Digital Media" by Bruce Block, Focal Press, 2007. Link
Article: "Visual Storytelling in Documentary Cinema" by Stella Bruzzi, Documentary Practices, 2011.
Video: "Cinematography Techniques for Documentaries" on Vimeo Link
Training Kit: "Documentary Cinematography Essentials" available on MZed.
Module 6: Sound Design in Documentaries
The role of sound in storytelling
Field recording techniques
Dialogue, voiceover, and ambient sound
Reference Materials:
Book: "Sound Reporting: The NPR Guide to Audio Journalism and Production" by Jonathan Kern, University of Chicago Press, 2008. Link
Article: "The Importance of Sound in Documentary Films" by Tom Holkenborg, Sound on Sound, 2014.
Video: "Sound Design for Documentary Filmmakers" on YouTube Link
Training Kit: "Documentary Sound Design Workshop" available on LinkedIn Learning.
Module 7: Editing Techniques for Documentaries
Introduction to non-linear editing software
Narrative construction through editing
Pacing, rhythm, and transitions in documentary editing
Reference Materials:
Book: "In the Blink of an Eye: A Perspective on Film Editing" by Walter Murch, Silman-James Press, 2001. Link
Article: "The Art of Documentary Editing" by Karen Pearlman, Film Quarterly, 2012.
Video: "Editing Techniques for Documentary Films" on YouTube Link
Training Kit: "Editing Essentials for Documentaries" available on Lynda.com.
Module 8: Creating a Documentary Narrative
Building tension and conflict
Use of archival footage and found materials
Integrating interviews and B-roll
Reference Materials:
Book: "Documentary Editing: Principles & Practice" by Charles Musser, Cambridge University Press, 2015. Link
Article: "Narrative Strategies in Documentary Film" by Bill Nichols, Cinema Studies Journal, 2003.
Video: "Creating Compelling Narratives in Documentary Films" on Vimeo Link
Training Kit: "Advanced Narrative Techniques for Documentaries" available on MasterClass.
Module 9: Ethical and Legal Issues in Documentary Filmmaking
Rights, permissions, and fair use
Ethical dilemmas and responsibilities
Release forms and legal documentation
Reference Materials:
Book: "Documentary Film: A Very Short Introduction" by Patricia Aufderheide, Oxford University Press, 2007. Link
Article: "Legal Considerations in Documentary Filmmaking" by Jane M. Gaines, Media & Law Review, 2009.
Video: "Ethical Issues in Documentary Filmmaking" on YouTube Link
Training Kit: "Legal & Ethical Guide for Documentary Filmmakers" available on Lynda.com.
Module 10: Documentary Aesthetics and Style
The aesthetics of realism
Experimentation and innovation in documentary form
The use of symbolism and metaphor
Reference Materials:
Book: "Representing Reality: Issues and Concepts in Documentary" by Bill Nichols, Indiana University Press, 1991. Link
Article: "Aesthetics in Documentary Film" by Brian Winston, Film Studies Quarterly, 2005.
Video: "Exploring Documentary Aesthetics" on Vimeo Link
Training Kit: "Aesthetics in Documentary Filmmaking" available on No Film School.
Module 11: Directing for Documentaries
The role of the director in documentaries
Working with subjects and maintaining objectivity
Building trust and rapport with participants
Reference Materials:
Book: "Directing the Documentary" by Michael Rabiger, 6th Edition, Focal Press, 2014. Link
Article: "The Director’s Role in Documentary Filmmaking" by Alan Rosenthal, Journal of Documentary Studies, 2011.
Video: "Directing Techniques for Documentary Films" on YouTube Link
Training Kit: "Documentary Directing Essentials" available on MasterClass.
Module 12: Lighting Techniques for Documentaries
Natural vs. artificial lighting
Creating mood and atmosphere through lighting
Practical lighting setups for on-location shoots
Reference Materials:
Book: "Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must Know" by Jennifer Van Sijll, Michael Wiese Productions, 2005. Link
Article: "Lighting for Documentaries: Practical Tips" by Blain Brown, Lighting Techniques Magazine, 2013.
Video: "Lighting Techniques for Documentaries" on Vimeo Link
Training Kit: "Lighting Essentials for Documentary Filmmaking" available on MZed.
Module 13: Sound Editing and Mixing
Syncing sound with visuals
Sound design and audio effects
Mixing and mastering audio for documentaries
Reference Materials:
Book: "Sound Design: The Expressive Power of Music, Voice, and Sound Effects in Cinema" by David Sonnenschein, Michael Wiese Productions, 2001. Link
Article: "Sound Editing in Documentary Film" by Rick Altman, Cinema Sound Quarterly, 2015.
Video: "Sound Editing and Mixing for Documentaries" on YouTube Link
Training Kit: "Audio Post-Production for Documentaries" available on LinkedIn Learning.
Module 14: Post-Production Workflows
Organizing footage and media management
Color grading and correction
Finalizing and exporting the documentary
Reference Materials:
Book: "The Filmmaker’s Handbook: A Comprehensive Guide for the Digital Age" by Steven Ascher and Edward Pincus, 5th Edition, Plume, 2019. Link
Article: "Efficient Post-Production Workflows for Documentaries" by Katie Hinsen, Film Editing Review, 2017.
Video: "Post-Production Techniques for Documentaries" on Vimeo Link
Training Kit: "Post-Production Essentials for Documentaries" available on Lynda.com.
Module 15: Distribution and Exhibition
Festival circuits and distribution strategies
Online platforms and self-distribution
Preparing for screenings and audience feedback
Reference Materials:
Book: "Documentary Distribution & Exhibition: A Practical Guide" by Lisa Leeman and Caty Borum Chattoo, Routledge, 2020. Link
Article: "Maximizing Documentary Film Distribution" by Orly Ravid, IndieWire, 2016.
Video: "Documentary Distribution Strategies" on YouTube Link
Training Kit: "Distribution & Exhibition for Documentaries" available on No Film School.
Module 16: Analyzing Documentary Films
Critical analysis of landmark documentaries
Discussions on narrative techniques and impact
Reflective essays and peer reviews
Reference Materials:
Book: "Documentary Film: A Critical Introduction" by Maria Pramaggiore and Tom Wallis, Routledge, 2005. Link
Article: "Analyzing Documentary Narratives" by Bill Nichols, Film Studies Journal, 2010.
Video: "Critical Analysis of Documentary Films" on Vimeo Link
Training Kit: "Documentary Analysis Workshop" available on MasterClass.
Module 17: Advanced Cinematography Techniques
Using drones and advanced camera rigs
Time-lapse and slow-motion in documentaries
Advanced camera movement and stabilization
Reference Materials:
Book: "Mastering the Art of Documentary Cinematography" by Michael Rabiger, Focal Press, 2015. Link
Article: "Advanced Cinematography in Documentary Films" by Rob Tregenza, Film Quarterly, 2014.
Video: "Advanced Cinematography Techniques for Documentaries" on YouTube Link
Training Kit: "Advanced Cinematography for Documentaries" available on MZed.
Module 18: Documentary Production Management
Budgeting and scheduling for low-budget documentaries
Managing a documentary crew
Overcoming production challenges
Reference Materials:
Book: "The Complete Film Production Handbook" by Eve Light Honthaner, 4th Edition, Focal Press, 2010. Link
Article: "Production Management in Documentary Films" by Anthony Q. Artis, Film Production Quarterly, 2011.
Video: "Managing Documentary Productions on a Budget" on Vimeo Link
Training Kit: "Production Management Essentials for Documentaries" available on LinkedIn Learning.
Module 19: Documentary Film Marketing and Promotion
Creating a marketing plan for a documentary
Utilizing social media and online platforms for promotion
Building an audience and engaging with viewers
Reference Materials:
Book: "Marketing to Moviegoers: A Handbook of Strategies and Tactics" by Robert Marich, 4th Edition, Southern Illinois University Press, 2013. Link
Article: "Effective Marketing for Documentary Films" by John Reiss, IndieWire, 2012.
Video: "Marketing Strategies for Documentaries" on YouTube Link
Training Kit: "Marketing & Promotion for Documentaries" available on No Film School.
Module 20: Preparing a Final Documentary Project
Pitching your documentary idea
Developing a comprehensive production plan
Preparing for the final shoot
Reference Materials:
Book: "The Art of Documentary Pitching" by Fernanda Rossi, Focal Press, 2007. Link
Article: "Successful Pitching in Documentary Filmmaking" by Fernanda Rossi, Documentary Magazine, 2009.
Video: "Pitching Your Documentary Idea" on Vimeo Link
Training Kit: "Final Project Preparation for Documentaries" available on LinkedIn Learning.
Module 21: The Final Documentary Film
Execution of the documentary project
Group collaboration and peer feedback
Final editing and submission
Reference Materials:
Book: "The Practical Guide to Documentary Editing" by Sam Pollard, Focal Press, 2012. Link
Article: "Collaborative Editing in Documentary Filmmaking" by Christopher Llewellyn Reed, Film Editor's Journal, 2017.
Video: "Final Documentary Film Production" on Vimeo Link
Training Kit: "Final Documentary Project Workshop" available on Lynda.com.
Module 22: Course Review and Future Pathways
Reviewing key concepts and skills learned
Career opportunities in documentary filmmaking
Next steps: advanced courses, internships, and independent projects
Reference Materials:
Book: "Documentary Filmmaking: A Contemporary Field Guide" by Alan Rosenthal, Focal Press, 2016. Link
Article: "Future of Documentary Filmmaking" by Patricia Aufderheide, Documentary Magazine, 2015.
Video: "Career Pathways in Documentary Filmmaking" on YouTube Link
Training Kit: "Career Development in Documentary Filmmaking" available on MasterClass.
This structure ensures that each module is well-supported by relevant books, articles, videos, and training kits to provide comprehensive learning resources for students.
RAZIBUL HOSSAIN
RAZIBUL HOSSAIN
SUMMARY OF CREDENTIALS:
• 25 years’ experience in Media, Communication and Audio-Visual Industry.
• Pioneer to introducing Digital Technology as a medium of Filmmaking in Bangladesh.
• Directed, Produced and Cinematography of 5 International Acclaimed Films.
• Participated 12 International Film Festivals around the world and won awards.
• Expertise as Communication Consultant (EU, World Bank, UNDP, BBS, BPC, BTB, Concern Bangladesh etc.)
• Successful track records of accomplishment as Public Information Champaign Consultant for Bangladesh Bureau of Statistics.
• Expertise in making documentaries on development issues like CBDRR, Agriculture, River, Fishermen’s Life etc.
• Expertise as Education and Academic Consultant in Universities and Institutes.
• 15+ Years of Teaching Experience in Universities, Institutes and Training Centers.
• Participated international faculty development trainings on Teaching Methodologies (Active Learning, Case Study, Writing Course Modules, Student Advising, Community Radio Producing etc.).
• Successful track records of accomplishment on Continuing Educations, Co-curricular activities in theoretical base work.
• Collaboration experiences in external vendors; international cultural wings, NGO’s, foreign universities etc.
• Familiar with all kinds of media equipment’s both hardware (Mac or Windows) and software (adobe creative suite, Final cut studio etc.)
• Excellent communication skill to work in all types of environments with people of various nationalities.
SHORT BIOGRAPHY:
Razibul Hossain is an Independent Filmmaker, Cinematographer, Producer, Editor and an Educator from Bangladesh. He made three fictional feature films BALUGHORI (The Sand Clock - 2006), UNADITTYA (Less than Sun God - 2008), and HRIDOYER RONGDHONU (Life in Rainbow - 2017); one feature documentary MRITTU PAREY BARI (Life in the Shores of Death - 2012) and a short film Me and The Nature - 2013.
Razibul is the Founder and Chairman of Asian Institute of Media and Communication – Bangladesh (AIMC). In his professional career, he worked in different Universities, TV stations, Advertisement agency and NGO's.
FILMOGRAPHY:
• BALUGHORI (The Sand Clock - 2006): International Premier at Second South Asian Film Festival in New Delhi, India, 2007
• UNADITTYA (Less than Sun God - 2008): World Premiere at Third South Asian Film Festival in Goa, India, 2008; Official Selection of 8th Third Eye Asian Film Festival in Mumbai, India, 2009; Human Rights Film Festival 2008, Dhaka
• MRITTU PAREY BARI (Life in the Shores of Death - 2012): premiered in 12th Dhaka International Film Festival 2012, Dhaka; Official Selection of South Asian Film Festival Canada 2012
• Me and The Nature (2013): World Premiere at 12th International Short and Independent Film Festival, Dhaka 2013
• HRIDOYER RONGDHONU (Life in Rainbow):
o Official Selection 12th Ethiopian International Film Festival, Ethiopia.
o Official Selection Dhaka International Film Festival, Bangladesh
o Official Selection Film Bazar, View Corner, Goa, India
o Official Selection and Best Cinematography Award Global Taj International Film Festival, India
o Official Selection, Nepal Cultural International Film Festival, Toronto, Canada
